drew ferguson.tv
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Broadcast

Broadcast

drewferguson.tv

Broadcast

Highly-experienced PD with over 16 years experience of working in the TV industry. A passionate story teller who has worked across a variety of genres and has a number of international broadcast credits. Director of several award winning television series’. Competent, strong self-shooter with own full kit (FX6).

I am happy to work abroad on foreign shoots and currently hold an iVisa (valid until 2027). I would also consider taking some projects through to the edit.

Please get in touch to enquire about availability and rates. A full kit list can be sent at your request.

Below are links to sequences from some of the shows that I have shot and directed. Links to more shows (as well as specific or full episodes) can be sent at your request.

Stacey Dooley Sleeps Over USA: Two Mums, One Dad

W Channel (2024) Cross shot on FX6 using Sony GM primes.

Stacey Dooley Sleeps Over USA: Mormon with 2 Wives

W Channel (2024) Cross shot on FX6 using Sony GM primes.

Stacey Dooley Sleeps Over USA: The Brothel

W Channel (2024) Cross shot on FX6 using Sony GM primes.

Stacey Dooley: Inside the Undertakers

BBC One (2023) Hour long access-based documentary. Single camera shot on FX6 with Zeiss cine prime lenses.

Strip

Paramount+ (2023) Reality series shot across nine weeks on location in Las Vegas, USA. Cross shot on FX6 using GM prime lenses.

Confessions of a Cam Girl

Channel 4 (2022) I shot all of the stylised interstitials and MIVs using FX6 and GM primes. Limitations with the MIV locations which were in the contributors' homes.

The Agency: Unfiltered (S2)

BBC Scotland (2023) Cross shot on FX6 using Sony GM lenses.

Designing the Hebrides (S1)

BBC 2 (2023) Cross-shot on FS7 with Canon zooms. SCOTTISH BAFTA WINNER 2023

Escape to the Chateau At Christmas

Channel 4 (2022) Last episode of the long-running series. Cross shot on location in France, on Sony FS7 with Canon 70-200 lens.

Style Fixers (S2)

BBC Scotland (2022) A mix of studio and location shooting. I was lead camera, shooting with a mixture of zooms and primes on FX6 and A7S3. I also edit produced all six episodes.

Home Greek Home

More 4 (2022) Shot on location in Greece. Single camera on FX6 with GM zooms.

Robson Green: Coastal Fishing

Channel 5 (2022) Shot on location around the UK. This sequence was shot as single-camera using the FX6 and GM 24-70 lens during a particularly torrential day!

Britain’s Scenic Railways At Christmas

Channel 4 (2022) Obs doc shot on location in the Scottish Highlands. Single cam, shot on Sony FX6 with Sony GM zooms.

Robson Green: Walking Coast to Coast

Channel 5 (2022) Four-part documentary/travelogue series, mixture of cross shooting and single camera. Shot on FS7 with Canon zooms.

Rogue to Wrestler

BBC Scotland (2019) Six-part Fact Ent series. Mixture of cross-shooting with single camera. All VTs shot on Canon C300 with Canon zooms. RTS AWARD WINNER

Getting Hitched Asian Style (S2)

BBC Scotland (2019) Eight-part Obs Doc series. Single camera shot on Sony FS7 with Canon zooms.

Inside the Zoo (S2)

BBC Scotland (2019) Ten-part obs doc set in Edinburgh Zoo. Single camera, shot on FS7 with Canon zooms.

Million Pound Garage Conversions

Channel 5 (2021) Shot on FS7 with Canon zoom lens. Difficult Master IV conditions, including: location, kit and time.

Cyclists: Scourge Of The Streets?

Channel 5 (2019) One-off hour long documentary all shot by myself. Mixture of archive and obs doc filming. Shot on FS7 with Canon zooms.

Night Force

BBC One (2017) Six-part access-based Obs Doc shot in Newcastle. Single camera shot on FS7 with Sony FE PX 28-135mm f/4. 

The Scran Van

BBC Scotland (2018) Pilot episode for a cookery series. Shot on FS7 with Canon zooms. 

The Customer Is Always Right (S2)

BBC One (2020) Mixture of studio and on-location shooting. All location filming shot single camera on C300 with Canon zooms. I also took three episodes through to the edit as an Edit Producer. RTS AWARD WINNER

All Over The Workplace (S1)

CBBC (2016) Directing multi-camera and sound crew, working with high-profile talent and script writing. SCOTTISH BAFTA WINNER

A1: Britain's Longest Road

BBC One (2018) Access-based Obs Doc (blue light). Shot on location with Sony PMW-200.

Plus Size Pole Dancing

BBC Three (2018) One of two short films I created for the 'Fat & Fabulous' series online. Mixture of hidden camera (button cam) and FS7 with Sony FE PZ 28-135mm f/4. I also took both films through to the edit as an Edit Producer.

Get Away For Winter

BBC One (2017) Single camera, all international shoots. Shot on Sony FS7 with Sony FE PZ 28-135mm f/4.

Antiques Road Trip

BBC Two (2017) Long running format. All single camera, shot on location across the UK on Sony PMW-500.